Source: Sabotage Times (2012)
If you live in the 21st century, you’ve
probably heard of KONY 2012. This viral campaign has accumulated over 80,000,000
views in just 5 days. If you ask me, that’s a pretty big deal. For anyone out
there who doesn’t know what it’s about or just lives under a rock, KONY 2012 is
a 30 minute YouTube video created by Invisible Children, Inc whose main focus
is capturing and arresting international Ugandan war criminal and leader of the
Lord’s Resistance Army (LRA) Joseph Kony.
I logged on to Facebook about two weeks ago and was
immediately bombarded by shared posts about this mysterious KONY 2012 video.
Realizing that the video was 30 minutes long, I thought that there was no way I
would spend that precious time watching a YouTube video. However, the video
went viral; it was ridiculous. After finally conforming and watching, I was not
only moved but persuaded by their overall message. So persuaded that I was
tearing up just 7 minutes into the film. This exemplified the wide parameters
of their use of social media: I previously did not care much about Ugandan
current events and had never heard of this faraway issue. However, after those
30 minutes, I did know and I did care.
Obviously, social media has played a huge role in
this movement. This brings us to the question: how effectively has Invisible
Children used social media to achieve its stated goals and reach its target
audience? With the help of the book The
Dragonfly Effect whose focus is a “quick, effective, and powerful way to
use social media to drive social change”, I will analyze the strategy of the KONY
2012 video in how it focuses, grabs attention, engages and takes action, the
four key concepts the book says an organization must embrace. Unless otherwise
noted, all concepts and models are taken from Aaker and Smith’s 2010 book The Dragonfly Effect.
Grabbing
Your Attention Immediately
In my opinion, KONY 2012 is at grabbing attention;
how else would they have persuaded millions of people to watch a 30- minute
video on Ugandan events? The film has what the book refers to as stickiness: “a
quality that the most successful ideas and endeavors have: that of grabbing and
holding attention” (Aaker and Smith 50). Early on [1:38], the narrator says
“The next 27 minutes are an experiment. But in order for it to work, you have
to pay attention”. Here the video uses what the book calls “delivering the
unexpected” which explains that when something is new and original, and thus
attention getting, humans are biologically wired to be stunned to surprise
(Aaker and Smith, 58). By asserting such a bold statement watchers are curious
as to what the video is all about, which is not revealed until later on [8:46].
Telling a Story to Engage Attention
![]() |
| Jacob telling us his story. Source: Vimeo |
![]() |
| Gavin. Source: Tumblr |
Jason Russell, the voice-over of the film, starts
his story by showing the birth and childhood life of his son Gavin. By doing
this, Jason contrasts the life of an American boy to a Ugandan boy, Jacob.
Jacob tells his story: “We worry the
rebels when they arrest us again, they will kill us. My brother tried to escape
then they killed him using panga. They cut his neck…I saw…it is better when you
kill us, and if possible, you can kill us, you kill us, for us we don’t want to
stay on earth.” Such a shocking statement, followed by Jacob crying, “gets
attention fast” by creating a story’s hook (helping Jacob), a huge factor in
storytelling according to the book (Aaker and Smith 85). More obviously, this
statement “keeps the audience wondering what happens next” by engaging the
attention of the audience to see what happens to the poor boy (Aaker and Smith
85).
Empathize/Be
Authentic
Jason uses his son as an analogy saying “If my son
were kidnapped and forced to kill, it would be all over the news, so we are
making Kony all news.” Here he tries to uses a technique in the book “personal
reference” to spark empathy in the audience (Aaker and Smith, 88). Most people
could relate to feeling devastated if one of their family members was captured
and conscripted into the LRA army. In addition, the organization “shows
authenticity” by creating a sense of closeness and connection by showing real
life of Ugandan boys, which makes us want to offer our help to these kids
(Aaker and Smith, 91). By seeing Jason’s point of view and why he wants to stop
Joseph Kony, Jason is viewed as trustworthy and thus authentic.
Visual
Imagery/Sounds
One of the books main points for grabbing attention
in the film is to “show, don’t tell” (Aaker and Smith, 61). The film effectively
utilizes visual imagery to get their point across. By using clips of Kony
abducting children and pictures of people’s mutilated faces because of Kony,
the video uses this to “surprise, startle and shock the audience” (Aaker and
Smith, 63).
![]() |
| Pictures of mutilated faces. Source: Vimeo |
The book describes how sound is a critical tool in
grabbing attention saying “It may not be the type of music you use for your
campaign that grabs attention, as much as it is the pace of the music and
whether changes in music are worked in”(Aaker and Smith, 66). By starting
slowly with sad and slow music to show the seriousness of the video, the video
slowly starts picking up the pace of the music in the end. When the film asks
people to take action and shows people posting flyers of KONY 2012 all around
the US, it plays the chorus of “I Can’t Stop” by Flux Pavilion, an upbeat Dub
step remix. By building tension through music, the filmmakers create a sense of
urgency in watchers to take action.
Focus
on Conquering Short Term Goals
![]() |
| TRI, the donation program for KONY 2012. Source: Vimeo |
The book defines a tactical micro goal as “a
short-term goal that is small, actionable, and measurable” (Aaker and Smith,
27). The KONY 2012 video shows that Invisible Children have taken action to
rebuild what was destroyed, rebuild schools, create jobs, and built an early
warning radio network to protect villages from rebel attacks. In addition, they
created a program called TRI, funded by young people who donate a few dollars a
month. These actions were clearly “visionary and realistic”, showing that they
were able to maintain focus.
![]() |
| 20 Culture Makers & 12 Policy Makers. Source: Vimeo |
As stated in the video, the organization will target
20 of the most diverse and influential culture makers, and 12 policy makers
with the authority to see Kony captured.
They will target celebrities, athletes and billionaires because what
they talk about spreads instantly. They chose policy makers to decide if U.S.
military advisors stay or leave. Although not easily testable, the goal is
clear and is geared towards one of their long term goals of raising awareness.
In the video, when the organization first talked to
senators at the White House for America to help Uganda, the senators said that
taking action would put American people in jeopardy. However, Invisible
Children came back 8 years later determined for change and the government
listened. Obama deported a group of 100 soldiers to assist the Ugandan army in
arresting Kony. The video stated that this was the “first time in history the
USA took that kind of action because the people demanded it.” Thus, the
organization was extremely effective in achieving short term goals, one step
closer to achieving their long term goal of capturing Kony.
A
Call to Action
The Invisible Children’s main target audience is
everyday citizens, of various ages, races, or political groups. In their KONY 2012 video, they show pictures
of different people that represent diverse backgrounds.
![]() |
| Example of the diversity of the campaign. Source: Vimeo |
They even
make it easy for everyday citizens to write to government officials directly on
their website, call them or meet with them to get their attention. In fact, the
organization states that each person can contribute to the cause by “1. Signing
the pledge to show your support 2. Getting the bracelet and the action kit 3.
Sign up for TRI to donate a few dollars a month and join the army for peace”.
The video’s main objective, however, is to get its viewers to share the video
to other people, ultimately raising awareness of the issue.
People will “wake up to hundreds of thousands of posters
demanding justice”, and they want everyone to help make this possible. The book
says that the psychology of asking is about “what you are asking of people must
be highly focused, absolutely specific, and oriented to action”. The video is
clearly good at this.
Transparency/Response to Negative Feedback
Although KONY 2012 has used a lot of the techniques
in the book, just like any big issue, there is controversy and criticism. The
book calls this transparency: “The brand shares news as it happens, even if it
might not appear to be in its best interest” (Aaker and Smith, 80). Their
responses can be seen at http://www.invisiblechildren.com/critiques.html.
One of the biggest critiques of the organization is their use of finances.
Invisible Children responded by saying that 80.46% is used to further their
mission of awareness, advocacy and on-the-ground development, 16.24% on
administration and management costs, and 3.22% on direct fundraising (Invisible
Children, 2011). They even show a breakdown of expenses, a screen-shot of the
organization’s annual report. Another criticism of Invisible Children is that
it advocates a disempowering approach. Their approach to helping people is that
only rich, white North Americans can “colonize” and help these people, even
though a lot of work has been done to deal with Kony (CBC, 2011). The
organization responded with: “We have found that
many Ugandans welcome the film's message of stopping Joseph Kony, but some take
offense at how the message was delivered. Admittedly, KONY 2012 was geared
towards young, western audiences in an effort to raise awareness of what began
in Uganda, but is currently taking place in DR Congo, Central African Republic,
and South Sudan [http://vimeo.com/38406755].”These are just two examples of their
response to criticism, a good way of using transparency like the book says.
This organization is the epitome of the global
impact of social media. The Dragonfly
Effect says “A decade ago, it would have been technically impossible for
ordinary citizens to respond publicly to global events and share their opinions
easily with such a wide audience. It would have been unreasonable to expect
that their ideas could inspire that audience to take action and achieve
results” (Aaker and Smith, xiii). Social media creates an extensive web of
interactions between activists across the globe, and allows story-telling to be
extremely effective through sharing. In my opinion, Invisible Children was very
good at hitting the main points of the book, despite the ensuing criticism.
They were extremely effective at focusing, grabbing attention, engaging and
taking action and I would not have changed much that they did. With all of the
correct short and long term goals, good luck to them on finding Kony.
References
Invisible Children. (2012). Invisible Children Critiques. Retrieved from http://www.invisiblechildren.com/critiques.html.
CBC. (2012). Kony 2012. Retrieved from
KONY 2012. (2012). Retrieved from http://vimeo.com/37119711
Sabotage Times. (2011). Kony 2012: Why I’m opposed to the
campaign. Retrieved from http://www.sabotagetimes.com/life/kony-2012-why-im-opposed-to-the-campaign/
Tumblr. (2012) Kony 2012. Retrieved from










